
Megapixel Cameras
camera includes an array of 31 LEDs with a
range of up to 30 metres.
Connections include an alarm input and
output. Two-way audio is also supported. The
camera utilises 12V DC, 24V AC or PoE power
input. It is fitted with an integral 2.8-10mm
F1.2 varifocal lens.
Features and functions include backlight
and highlight compensation, SSDR (dynamic
range), SSNR (noise reduction), privacy
masking, support for an SD/SDHC card and
video analysis. The latter includes virtual
tripwire, object appear/disappear, directional
motion detection and scene change detection.
The camera is supplied with a quick start
guide and a mini CD. At first glance you might
think the quick start is a full manual, but it
includes 10 pages per language, in a huge
variety of languages. The CD includes the full
manual, plus a utility to address the camera. A
second mini CD includes a copy of the Net-I
Viewer software.
Installation is simple; connections are made
via the attached flyleads, and a utility supplied
on the CD quickly finds the camera on the
network and allows access. Once connected
the menus are fairly straightforward, but
navigating them is slower when compared to
other cameras. It’s not agonising, but you will
notice a delay when moving from page to page.
The camera has M-JPEG set as the factory
default, but this can be changed. Switching to
H.264 shows that Samsung has done a good
job of implementing the compression, but
latency is just shy of one second. There isn’t
really a lot you can do to ruin the H.264 image.
From 2Mbps downwards motion does create
rebuild artefacts, and forcing it to prioritise
quality over frame rate at lower bandwidths
increases latency, but at the test bandwidth
cap of 5Mbps the camera works well.
Image detail is high, and colour accuracy is
spot on. Greyscale fidelity is good too. The
camera does have a high level of functionality,
and whilst you don’t get the degree of
flexibility available from some of Samsung’s
other cameras, you do get more than many
similar network cameras offer!
As light levels fall, the image retains a high
degree of quality, although you do see a slight
increase in rebuild artefacting following
movement. Colours retain a good level of
fidelity, and the various camera settings
include SSNR, so noise can easily be
eliminated. As with most Samsung cameras,
there is a lot of processing on offer, and over-
use can affect image quality. If the effect is
increased degradation, back off some of the
settings. There is a balance to be achieved, but
overuse of the functionality can be worse than
under use!
The camera holds a relatively noise-free
image until the point when a lack of light sees
colour fidelity slipping away. There are two
settings for the day/night switching point: Fast
and Slow. There’s not much to glean from the
descriptions, and indeed we didn’t find too
much variance between them. The fast setting
saw the camera switch at around 1.8 lux, and
the slow setting saw it switch at around 1 lux.
To our way of thinking, both switching points
occurred a tad too late as the lack of light
pretty much reduced the level of colour fidelity.
A note about the IR illuminators is that the
camera has an adjustment for the intensity of
the LEDs. This can be controlled manually, or
automatically. In the automatic mode, the
camera compensates for objects close to the
camera to ensure that a bright spot isn’t
created.
The IVA function works well, and adds
another dimension to the camera. It may well
sway a number of installers and integrators
looking for a competitive edge.
Verdict
The GXC-1606M from Eneo does deliver a
decent level of image quality, and whilst
functionality is limited, the camera presents a
credible option. The unit would benefit from a
tweak to the compression settings, but it’s not
enough to make it a bad choice.
The GT79AD/P from G-Tec is a budget
camera, but despite that tag - which often
implies lower quality - the unit does perform
well. There are a few niggles: the IR
illuminators do create a bright pool of light in
the middle of the image.
Samsung’s SNO-5080R offers good
functionality, good image quality, and very
good IR illumination. The IVA features are the
icing on the cake for what is a very cost-
effective camera. However, there is one small
fly-in-the-ointment, and that’s the switching
point for the day/night mode. There are two
settings, but the difference between them is
miniscule.
Finally, the SNC-CH180 from Sony is a good
performer, and has the depth of functionality to
address most needs. Image quality is good,
and when all is said and done, it’s the image
that the end user will focus on.
www.benchmarkmagazine.com
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samsung_pp02-03_000_Benchmark_aug11 13/04/2012 11:03 Page 3
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